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Brother catches his sister in her room!
Seth MacFarlane answered, "It was right after the  election , and me [sic] and co-creator Matt Weitzman were so frustrated with the Bush administration that we would just spend days bitching and complaining, and we figured we should channel this into something creative and hopefully profitable. It was right up our alley, and everything just fell into place. The rest of the first season , however, would not launch until May 1, , on Fox's Animation Domination lineup which had its debut on that date. The new series officially premieres in May but has a sneak preview tomorrow night in the coveted post-Super Bowl time period The look and pace of American Dad! Moreover, the daughter in both series each have a Liberal hippie boyfriend turned husband Jeff likened to Michael Stivic of whom the daughter's Conservative father is antagonistic towards. Also in both, the daughter lives in her parents' home with her boyfriend turned husband as a housemate. This was to the extent that American Dad! Because he was not getting the show at the time, he was described as "just going along for the ride. Standing out from its counterparts increasingly with each passing season, the series has been described as eventually becoming the weirdest show in network prime time. It has been characterized as serving up distinguishing blasts of surrealism. Taking note of his Twitter followers increased fanaticism and excitement over American Dad! He added that American Dad! And for that reason, I think our humor is a little more evergreen. That whole episode came about from one of our writers Dave Hemingson coming into our office, telling us he just visited the dentist and he may need to get braces. And the idea of a grown man with braces appealed to us, and we just decided what if we put Stan in braces, and he understands for the first time what it's like to feel like a geek. Barker's revelation to use music as a muse for his American Dad! During that event, he watched the rock band My Morning Jacket perform a four-hour set in the rain and realized from the experience that he could generate ideas for American Dad! In particular, Barker has credited music from Wax Fang for his inspiration in writing certain American Dad! Said Barker, "There's just something so inherently cinematic about Wax Fang's music. And his lyrics are specific enough to build stories around while staying flexible enough for different interpretations. There, they break the story and make sure that each act of the two act breaks are strong. As another procedure, Barker stated that they make a point of twisting the story in such a way so as to make audiences come back for more after the commercial break. The screenwriter gets two weeks to write the script. The script then comes back. He explained that the show had reflected their point of view since the beginning. Barker has also credited the program's other staff beyond himself, Weitzman, and MacFarlane, remarking "We couldn't have made it all happen without them. To me, that's the most gratifying. They added that their goal is to create laughs combined with groans and going over the line. A lot is done in-house: Sunwoo Entertainment of Korea was said to handle that end of the pre-production process. However, Barker has also stated, "It's really hard to accept anything less than perfect when you start to get wrapped up in this process of being able to constantly make changes. Eventually you have to kind of bring down the hammer at the color stage and live with what you've got. I think I like the fine tuning of things and making things happen just so. Making the episode just kind of pop in its own subtle ways. As many as 20 to 42 unaired episodes are typically ready for finishing touches. Barker explained that a key to this system is making sure that the writing is timeless, as opposed to topical and contemporary. He added that if any material within the script deals with contemporary issues, the creators have to hope that they're also contemporary issues two years down the line. When asked whether or not this method has ever brought on difficulties, Barker answered in the affirmative and explained: And I remember watching on air and having to Google who our own joke was, because it had been so long since the joke was pitched. But in terms of stories, we're less likely to be burned by a current-event issue no longer being current. It's an enormous amount of work. What goes into putting together an animated show, it's just staggering I always knew there was a lot of work that went into making an animated show. Doing a traditional sitcom , process-wise it feels like a breeze compared to doing an animated show. You can get it all done in a couple of months as opposed to a year. Doing an animated show, it's like putting together a little movie every week. Everything is storyboarded with the intricacy of a feature film action sequence. You have to edit with a musical score in mind. And of course, we use an orchestra for each episode. So it's really like putting together a little feature each week and I was just shocked at how much—not to underplay all the work that goes into live-action sitcoms—but my God, it's definitely a much more difficult medium to me. Working on animated shows like American Dad! You don't have to worry about sets and such that you have to worry about for live-action. Animation can give you more freedom. In addition, the Smith house is apparently enhanced with numerous secret rooms, facilities, and large habitats , these unorthodox attachments usually only seen once for each i. Within the neighborhood, they are portrayed as running a neater and tidier home than the Smiths. It gets to the point where they divide the house in two, each decorating their half of the house in their desired fashion. Not satisfied with this however, they both attempt to drive the other out of the home and eventually erect a colossal block wall, dividing the two halves of the house. The rest of the family members are forced to spend one holiday after the next alternating between Fran's and Stan's place the sides of the house treated as distinct homes. As another example, in the episode " Stan's Food Restaurant ", Stan asks for Roger's help in starting a restaurant. As things progress, Roger makes heavy changes in the layout, eventually kicking Stan out of the project. Stan retaliates by opening another restaurant next door, which becomes a smashing success. Roger responds by blowing up Stan's restaurant but destroying his own in the process. Stan threatens to kill Roger, but backs down after Roger pulls a gun on him and tells him to relax. The control room door's exterior side is camouflaged with the grass surrounding it. The room is filled with highly advanced, state-of-the-art equipment. This arises when the show's focus becomes sidetracked by entirely unknown and unrelated characters in circumstances that are irrelevant to the episode's main plot. Typically when this happens, it is after the show has maintained focus on its main characters for much of the episode; following this, the scenes randomly lose focus and become deeply wrapped up into the lives of never-before-seen characters who are non-central to the plot. A prime example of this is in the episode " Homeland Insecurity ". As opposed to scenes focusing on main characters, attention is redirected deep into the lives of unknown characters who gain possession of Roger's transforming feces turned gold. As another example, in the episode " The Missing Kink ", the show's focus is sporadically sidetracked with brief scenes revolving around the life of a drug abusing bird and Francine's inexplicable ability to both understand and communicate with the bird's chirping. Because Steve is able to correctly predict Roger's original game plan of handling the situation himself under an alter ego, Roger throws him a curveball: As another example, in the episode " The Vacation Goo ", Francine becomes frustrated that she cannot get the family together for Sunday night dinner. For family time, Stan suggests a vacation, and the Smiths have a great time in Maui as a family. This is up until Roger shuts down the mechanism Francine and the kids are all attached to so as to believe they are all on vacation. Francine and the kids then learn that Stan has been programming a pseudo-vacation every year in a contraption dubbed "the goo chambers". After learning of this, Francine demands they go on a real vacation. Twice they appear to do so, first skiing , then to Italy , until it is ultimately revealed that they are in the "goo chambers" all along, with Steve and then Hayley having programmed the vacations, respectively. On several occasions, a circumstance expands and progresses across a collection of episodes. In that episode, Jeff is blindsided when Roger hurls him into a spaceship. This spacecraft belongs to Roger's race of aliens and was intended to return him back to his birth planet; however, Roger remains behind after casting Jeff into the spaceship. The spaceship immediately takes off and Jeff is not seen until several episodes later, the episode " Lost in Space ". During episodes that aired between the two aforementioned episodes, allusions to the ongoing plot line are made. In the episode, Roger and Stan attempt to rush Hayley through her grieving process so she will be willing to be their tennis official. This story arc is finally resolved in the episode " Holy Shit, Jeff's Back! This plot point is continued at the end of " Bahama Mama ", where Roger mentions Jeff cannot get Hayley pregnant because he has an alien body, so he agrees to rebirth Jeff in " Roger's Baby ". By the end of the episode, Jeff is human again and with Hayley on Earth. In discussing the cartoon's distinguishing story arc element, co-creator Mike Barker explained: We just try to obey basic rules of continuity. We try to avoid stories where a character is taking a big step like marriage and then not going back to it. I think by doing that, then in the future when we have big changes, the audience knows that they're going to be living with those changes for a while. So it's not just a thrown-away bit. It kind of endows that story beat with more power because it's going to last. It's not just going to be a reset button. Roger became Steve's legal guardian and responded to him getting picked on at school by rigging the teachers' cars with explosives and killing them all. Later on in the episode while Principal Lewis was driving his vehicle with Steve as the passenger, he informed Steve that he was about to drive off the Grand Canyon in a murder-suicide. This culminated in Roger saving the day, his love supernaturally allowing the car to fly once Principal Lewis drove off the Canyon; however, another vehicle with a random white man and a black boy in it opposite of Principal Lewis, a black man and Steve, a white boy had also, coincidentally enough, driven off the opposite side of the Grand Canyon in a murder-suicide attempt. This resulted in a midair collision between the car with Principal Lewis and Steve in it and the car with the white man and black boy in it. In these messages, Roger is also heard snapping on various people, killing three individuals from reckless driving , landing himself in court , and subsequently becoming irate and shooting up numerous people at the city courthouse for being scolded to turn off his mobile phone.
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