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Ria Antoniou braless in wet t-shirt in Italian tv show Colorado [KANONI NET]
Etymology[ edit ] Bodice French: In French, it is called a soutien-gorge literally, "throat-supporter". History of bras Wearing a garment to support the breasts may date back to ancient Greece. Two of them had cups made from two pieces of linen sewn with fabric that extended to the bottom of the torso with a row of six eyelets for fastening with a lace or string. One had two shoulder straps and was decorated with lace in the cleavage. In the later 19th century, clothing designers began experimenting with alternatives, splitting the corset into multiple parts: Brassieres were initially manufactured by small production companies and supplied to retailers. The term "cup" was not used until , and manufacturers relied on stretchable cups to accommodate different sized breasts. Camp and Company correlated the size and pendulousness of breasts to letters A through D. In , Warner began to feature cup sizing in its products. Adjustable bands were introduced using multiple hook and eye closures in the s. The design assumes that both breasts are equally sized and symmetrical. A typical design has between 20 and 48 parts, including the band, hooks, cups, lining, and straps. Bras are built on a square frame model. The chest band is usually closed in the back by a hook and eye fastener , but may be fastened at the front. The section between the cups is called a gore. The section under the armpit where the band joins the cups is called the "back wing". Many layers of fabric may be cut at the same time using computer-controlled lasers or bandsaw shearing devices. The pieces are assembled by piece workers using industrial sewing machines or automated machines. Coated metal hooks and eyes are sewn in by machine and heat processed or ironed into the back ends of the band and a tag or label is attached or printed onto the bra itself. Strapless bras rely on an underwire and additional seaming and stiffening panels to support them. The shoulder straps of some sports bras cross over at the back to take the pressure off the shoulders when arms are raised. Manufacturers continually experiment with proprietary frame designs. They are now made of a variety of materials, including Tricot , Spandex , Spanette, Latex , microfiber , satin , Jacquard , foam, mesh, and lace ,  which are blended to achieve specific purposes. Spandex, a synthetic fiber with built-in "stretch memory", can be blended with cotton, polyester, or nylon. Mesh is a high-tech synthetic composed of ultra-fine filaments that are tightly knit for smoothness. The underwire is made of metal, plastic, or resin. T-shirt bras utilize molded cups that eliminate seams and hide nipples. Others use padding or shaping materials to enhance bust size or cleavage. Bra size In most countries, bras come in a band and cup size, such as 34C; 34 is the band width, which is the measurement directly underneath the breasts, and C is the cup size, which refers to the volume of the breasts. Most bras are offered in 36 sizes; the Triumph "Doreen" comes in 67 sizes, up to 46J. A B cup on a 34 band is not the same size as a B cup on a 36 band. If the band causes flesh to spill over the edges, it is too small. This allows the wearer to use the tighter hooks as the bra stretches during its lifetime. List of bra designs Bras may be designed to enhance a woman's breast size, or to create cleavage , or for other aesthetic, fashion or more practical considerations. Nursing bras are designed to aid breast-feeding. During the s and s, the sweater girl became fashionable, supported by a bullet bra known also as a torpedo or cone bra as worn by Jane Russell and Patti Page. After the Miss America protest in September , manufacturers were concerned that women would stop wearing bras. In response, many altered their marketing and claimed that wearing their bra was like "not wearing a bra". Visible bra strap of a lady, Hong Kong. It became fashionable from the early s to wear clothing that showed bra straps. Advice included avoiding plain, flesh-toned, smooth-cup bras, so that the exposure does not appear accidental; making sure the bra is in good condition; and wearing a style that either matches the colour of the outerwear or is dramatically different. Among the respondents, 67 percent said they prefer wearing a bra to going braless, while 85 percent wanted to wear a "shape-enhancing bra that feels like nothing at all. Many women, in the mistaken belief that breasts cannot anatomically support themselves, think that wearing a brassiere will prevent their breasts from sagging later in life. While there has been some social pressure from the anti-sweatshop and anti-globalization movements on manufacturers to reduce use of sweatshop labour, most major apparel manufacturers rely on them directly and indirectly. Prior to , a trade agreement limited textile imports to the European Union and the US. When those quotas expired on 1 January , the so-called Bra Wars began. Within six months, China shipped 30 million more bras to the two markets: Morocco was second and Nigeria third, while Mauritius topped purchasing on a per capita basis. Children were employed to assemble bras and were paid 0. In one day they could earn 20 to 30 yuan. Women sometimes wear bras because they mistakenly believe they prevent sagging breasts. While many Western women recognize that they have been socialized to wear bras, they may report feeling exposed or "subject to violation" without one, or that wearing one improves their appearance. In Elizabeth Stuart Phelps Ward wrote: Burn up the corsets! No, nor do you save the whalebones, you will never need whalebones again. Make a bonfire of the cruel steels that have lorded it over your thorax and abdomens for so many years and heave a sigh of relief, for your emancipation I assure you, from this moment has begun. Professor Lisa Jardine listened to feminist Germaine Greer talk about bras during a formal college dinner in Newnham College, Cambridge , in Greer had become a member of that college in At the graduates' table, Germaine was explaining that there could be no liberation for women, no matter how highly educated, as long as we were required to cram our breasts into bras constructed like mini-Vesuviuses, two stitched white cantilevered cones which bore no resemblance to the female anatomy. The willingly suffered discomfort of the Sixties bra, she opined vigorously, was a hideous symbol of female oppression. A local news story in the Atlantic City Press erroneously reported that "the bras, girdles, falsies, curlers, and copies of popular women's magazines burned in the 'Freedom Trash Can'". Dow has suggested that the association between feminism and bra-burning was encouraged by individuals who opposed the feminist movement. This might lead individuals to believe, as she wrote in her article "Feminism, Miss America, and Media Mythology," that the women were merely trying to be "trendy, and to attract men.
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